BETTE’S BLOG

BETTE’S BLOG

 

Bette “Cupcake” Crawford is the unofficial town crier of Backwater Bay. She refuses to list her

credentials. Nobody knows for sure if she has any. Here, she and occasional guest contributors

opine on adventures encountered in pursuit of the Transformative Public Imagination.

Our Motto:

Don’t Shoot the Messenger!

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The Luminescence of Trinity: Consecrating Nightmare at the Center of a Sacred World

by Kay Whitlock

(This piece originally appeared in two parts on Beacon Broadside, on January 29 and 30, 2019. It is reprinted here with permission. Download the full PDF of “The Luminescence of Trinity: Consecrating Nightmare at the Center of a Sacred World,” as the two-part series is presented in its original narrative format.)

Trinity test explosion at 25 seconds in. Photo credit: US Department of Defense.

She died    a famous woman    denying
her wounds
denying
her wounds    came    from the same source as her power

from the poem “Power,” by Adrienne Rich,
occasioned by reflection on Marie Curie, who conducted pioneering research into radioactivity and the isolation of radium 

In the autumn of 2017, my partner and I joined a long car caravan winding slowly across White Sands Missile Range. Organized semiannually by the Alamogordo, New Mexico Chamber of Commerce, the trek set out from an empty lot adjacent to the local high school’s athletic fields. Journey’s end, Trinity Site, is where the first atomic bomb—scientists and officials working on the device called it “the gadget”—exploded at 5:29 a.m. on 16 June 1945. It is open to the public only two days each year, the first Saturdays in April and October. 

That I finally made the trip still surprises me, though I have long been an avid student of the history of The Bomb and its human, ecological, political, and cultural impacts. I’d always intended to visit Trinity Site at some vague moment in the future. But it’s the kind of destination that self-generates a continuous avalanche of even better reasons for not going. For decades, each time I contemplated the journey, I just as quickly abandoned the idea.

That may have something to do with the engraved metal dog tag I wore on a chain around my neck many years ago. Along with other grade school children in my home town, my sister and I were physically tagged as potential nuclear war casualties. These tags, stamped with our names, addresses, and phone numbers, also bore a P for Protestant, C for Catholic, or J for Jewish. My mother wrote our blood types on the back in nail polish. In this way, The Authorities could identify young dazed, scorched, irradiated survivors of nuclear blasts or our sad little corpses—assuming that the IDs and human detritus were not completely vaporized.

The school district and my parents thought the dog tags, evoking those identifying military war casualties, were a good Civil Defense measure in the post-Atomic, Cold War era. I don’t recall whether they were mandatory, but the purpose was clear. We ducked under desks, covering our heads with our arms, during school safety drills (today’s version is school lockdowns). No one I knew could afford a real fallout shelter, but along with countless other mothers all over America, my mom amassed canned goods, bottles of Coca-Cola, and flashlight batteries in the basement. As the catechism of the nuclear age might have it, these were “outward and visible signs of an inward and spiritual terror.”

While cleaning the house following my mother’s death many years later, I found a dozen cans of Dinty Moore beef stew still stashed away. They either bulged or, through explosive rites of transubstantiation, had already burst into puddles of gelatinous, purple goo covering the shelves.

I often wonder: beyond the usual reductive political and religious pronouncements, what is there to say about the character of a society that seeks its own life and light through the ability to control, dominate, devastate, destroy? About a society that claims this life and light by framing such power as exceptional, inevitable, moral, and sacrosanct?

These questions stalk all of my work about structural violence, sometimes obliquely. This violence—ranging from policing and prisons to genocide to gender violence to laying waste entire ecosystems—can’t ever be effectively addressed as a series of separate, single “issues.”

I am speaking here of routine forms of massive violence, enabled and carried out legally and often with significant popular support, by respectable people in public and private institutions. These are structural components of everyday normalcy. Nothing exists in isolation; race, economics, gender, disability, culture, and ecological disruptions are always dynamically interrelated, always shaping one another and the larger social reality. But when public opinion begins to raise some uncomfortable questions, it is almost always within the narrow confines of mild tsk-tsking presented as, “Well, the basic intention is right, and it started out OK. They’ve just gone a little too far.” That mindset ushers us into the delusional task of measurement: how much routine violence is too massive, and how much is just right.

This is deranged territory, where any deal cut, however understandably, only reifies the foundations of structural violence by yielding to its terms of debate. Accordingly, I have abandoned the search for reasonable answers to any of my questions. Now I look more for clues, trail markers, symbols, and fragments that hint at something much . . .  well, larger.

That’s probably why I finally showed up at Trinity Site, in search of larger.

Part I:  Rites, Ritual, and Celebration

“Gotta light?”
The Woodsman, Part 8, Twin Peaks: The Return

By larger, I mean: my usual interpretations are no longer sufficient for comprehending, much less responding to, the titanic reach and intricate influence of structural violence. That is to say, the violence of coercion, conquest, colonization, exploitation, limitless extraction, poverty, privatizing what must be collectively held in order to sure collective well-being, the expansion of the carceral state, and endless war. The quest for larger bolsters my willingness to engage complexity; to simultaneously, and without apology, engage mind, heart, and spirit—without feeling obliged to be polite about it.

With regard to the lethal legacies of Trinity, it matters that acculturation to the atomic age was never focused on doom and gloom. It was also, in part, heady and humorous; thrilling and suspenseful; filled with celebrity endorsement. Earlier expressions of concern and protests from scientists who’d worked on developing the atom bomb—and then argued against its deployment—had been squashed. In the aftermath of bombing of Hiroshima and Nagasaki, any number of philosophers, scholars, physicians, scientists, and artists cried out against the inhumanity and warned of future dangers. But politics and popular culture framed such concerns as unpatriotic and rendered them largely invisible. Endless Civil Defense public service announcements on radio and television broadcast a whiff of upbeat determination and normalcy along with alarming, mostly useless, dollops of information (“When you see the flash, cover your eyes!”). Popular culture was replete with songs filled with braggadocio and defiance, neon signs, menu items, and knick-knacks related to the Atomic Bomb. Post-World War II tests in the Pacific and in the Nevada desert—the US alone conducted at least 1054 of them between 1945 and 1992—came with false assurances that there would be no lasting danger to those in the area or downwind of the tests. The problem of nuclear waste disposal would only emerge as a public concern further down the road—and, in the Trump years, become a small feature in a much larger (and fraudulent) politics of austerity. The atmosphere in those days was replete with a grotesque blend of existential anxiety tempered by American atomic triumphalism. We embarked on a never-ending journey into the Twilight Zone, most of it fed by a steady drumbeat of Red Scare propaganda.

Public doubts emerged, along with some laudable Ban the Bomb activism in Europe and the US, but the optimism of supremacist vision won, as it usually does. After all, who wants to believe the worst? It’s so depressing. Better to file the jagged edges off reality. Problems, actual and potential, are brushed away by pretending that, through the intervention of “experts,” every terrible thing is manageable and survivable, at least for those who (by the raced/classed/gendered calculus of worthiness) really matter. But that’s the simple part. The more exhilarating challenge is to make the crusade holy; to create images, rites, rituals, spectacles, and ceremonies intended to bind the dominant segments of a nation together, across generations, through the twinned rubrics of survival and supremacy.

Throughout the country from the late 1940s into the early 1960s, buttressed by a whitewashed storyline about the 1962 “Cuban missile crisis,” civic officials and families were drafted into a series of absurd, often short-lived, survival schemes. A member of my extended family told me that as a young mother living outside of New York City, she was instructed to send her two young sons to school draped in white sheets, with a hole in the center cut out for their heads. These coverings would, she was told, help deflect the heat of a nuclear blast as children walked to and from home. To her credit, this young mother, the very antithesis of a political radical, responded to school authorities with a blistering refusal.

It was the perfect American metaphor. Send (primarily) white kids to school dressed in white sheets for safety’s sake.

So my avoidance of Trinity Site is, I hope, understandable. Yet I have often experienced synchronicity, the idea of meaningful coincidences, and in the end, this was the deciding factor. Something in the material world coincides with a person’s state of mind, conscious or unconscious, in some personally significant way. You know how it goes: you’ve been thinking of someone you haven’t seen or talked to for years and, quite unexpectedly, that person calls you or writes or news about them suddenly appears. Or you’ve been avoiding thinking about Trinity site this year because it’s too twisted a destination, and blam. I generally regard synchronicity as a nudge—sometimes a painful kick in the ass—to pay attention to something I’m not seeing clearly enough.

Blam began early in 2017 with a deluge of images and popular culture depictions of Trinity and its legacies. Especially the brilliant and unnerving Part 8 of Twin Peaks: The Return, with its evocation of the test—a power source unleashing forces of unimaginable evil—set against the musical backdrop of  Krzysztof Penderecki ‘s Threnody for the Victims of Hiroshima.

Two friends, also visited by thoughts and shadows of Trinity, introduced me to unexpected books I’d never heard of, more books, poetry, and two mesmerizing (and moderately steamy) seasons of a critically acclaimed fictional TV series set in Los Alamos, New Mexico, where a critical mass of scientists gathered under the expansive umbrella of The Manhattan Project to create The Bomb.

Around this time, the news was stalked by specters of things nuclear, the progeny of Trinity. Fukushima radiation and the Tokyo 2020 Olympics. The appalling reality that Donald Trump was in charge of US nuclear policy. The staggering power of today’s nuclear weapons. Uranium mining, with its deep connection to environmental racism. The possibility, later confirmed, of plutonium thefts. The geopolitics of nuclear energy and weaponry. Grandiose nuclear contamination containment schemes. Nuclear power’s seductive, false promises.

How much synchronicity does it take to make a dent in my personal stockpile of avoidance? A sledgehammer’s worth, apparently. But finally, over a long weekend in early October, my partner and I found our way first to 109 East Palace in Santa Fe, New Mexico, where Manhattan Project scientists and workers reported for duty, then to Los Alamos, and finally to Trinity Site. All celebrations of a relentless “can do!” stampede of technological know-how and American triumphalism.

Contrary to popular assertion, dropping the bomb was not necessary to defeat Japan in World War II. But once the atomic bomb was created, the compulsion to use it was all but inevitable. While at this writing, the US is still the only nation to have deployed nuclear weapons against another nation, American nuclear fear is focused on the terror that somebody else might do to “us” what “we” already did to “them.”

The American solution to the problem of truth is to organize around a false and contradictory but compelling binary: the US is omnipotent and superior, even while the US is also an unjustly persecuted victim under constant assault by hostile forces who “hate us for our freedoms.” The only way to successfully manage both ends of the binary is with overwhelming force. Dominate. Devastate. Demolish. Destroy.

A fireball begins to rise, and the world’s first atomic mushroom cloud begins to form, nine seconds after Trinity detonated on July 16, 1945. Photo credit: US Department of Defense.

August 8, 1945

Dear Folks,

We have been getting all this atomic bomb dope today and yesterday. I don’t know what to think. If only a third of this dope is factual it revolutionizes the whole world; necessitating a complete new set of ideas . . . If this is a fact the war is over, I am coming home, but the whole idea scares me. I guess the first thought that flashes thru anyone’s mind is what is going to happen in the future when two nations go to war with this equipment . . .
from a letter written by my partner’s father, then a young naval officer serving aboard a minesweeper in the Pacific

I am often drawn to historical battlefields and sites by a sense that the memories, the ghosts, the landscape will somehow reveal more than I have yet learned through book-and-documentary-related study. And by the inchoate sense that I may even be changed by it, that in mysterious ways, my justice vision will be moved toward greater wholeness. In solitary reflection in places where something terrible happened, I listen to the land, to winds, to the rustle of leaves. I cull histories, photographs, poetry, and survivor accounts to try to conjure in my imagination the people and the place and the moment. And sometimes something close to that happens, a quiet ripple in time and perception that somehow shifts how I see and experience everything. When I lived in southern Colorado, long before a national historic site was created, I periodically drove out east to Sand Creek, where a long-ago cavalry massacre of Cheyenne and Arapaho peoples—mostly women, children, and elderly people—took place. There, I sat alone for hours and in silence on land unmarked by buildings or pathways. For whatever reason, Shiloh still disquiets me in a way many other historic battlegrounds do not.

Perhaps Trinity Site, part of a vast, desert landscape, with blue mountains off in the distance, had metamorphosed into that, an elegiac lamentation murmured by earth and sky.

First-hand witnesses to the Trinity test use vivid words to describe what they felt, heard, and saw as this new force, capable of annihilation on a global scale, was released: “breathtaking,” “awe,” “grandeur,” “fantastic.” They reported that the flash of light came first. Then, as Val Fitch, an enlisted man with the Army’s Special Engineer Detachment noted, “It took the blast wave about 30 seconds. There was the initial loud report, the sharp gust of wind, and then the long period of reverberation as the sound waves echoed off the nearby mountains and came back to us.”

The expanding fireball and shockwave of the Trinity explosion, seen .025 seconds after detonation on July 16, 1945. Photo credit: US Department of Defense.

I imagined the memory of that sound would yet be echoing; that the ground would still tremble, at least in my heart. But the ghosts had fled. We were greeted on arrival by imposing banks of port-a-potties and a few scattered tables where friendly local people behind gas grills offered hot dogs and hamburgers for purchase.

From there, it was a quarter-mile’s walk to Ground Zero, marked by a stone obelisk erected long after the test, and surrounded by a tall chain link fence. Along the pathway, cheerful people at a mobile souvenir stand sold commemorative mushroom cloud t-shirts, pins, and other ephemera. The clicking of Geiger counters on display tables confirmed the still-radioactive nature of trinitite, a greenish, glasslike substance of fused sand and other particles created by the intense heat and force of the first atomic blast.

If Trinity Site is a shrine, trinitite is its sacred relic. Collectors have acquired a lot of the stuff—allegedly before its taking was banned in 1952—and we saw scattered bits of it on the ground, though most has been buried. While visitors are assured that no health risk is posed by its presence, signs warn that taking trinitite is theft of government property. But we saw teenagers scrounging for some in the dirt. On the way out, just the other side of Stallion Gate, we encountered many weekend vendors hawking chunks of trinitite for sale out of their cars and trucks.

A series of large Manhattan Project-related photographs is displayed along a northern segment of the Ground Zero fence. Save for the photo of the Trinity Site Polo Team, these are iconic images of the bomb and the buildup to the test, long familiar in bomb lore. There are no photographs of the devastation to the peoples and landscapes of Hiroshima and Nagasaki.

Courtesy buses took us a short distance out to the McDonald ranch house—the Army seized the house from a local family under protest in 1942 and never returned it—where final assembly of the active plutonium core for “the gadget” took place before the completed bomb was transported to the test tower. Because there are so few “things” to actually see at the site, people flocked to an empty room to take selfies under a single lightbulb dangling on a cord from the ceiling with a sign marking the space as “Plutonium Assembly Room.”

Of the few hundred people we saw at Trinity Site, more than a few were Japanese Americans and visitors from Japan. There were also many young men, predominantly white, who had served in Iraq or Afghanistan and were accompanied by buddies, wives, and girlfriends. They made jokes about The Bomb, but the laughter that greeted them was short-lived and uncomfortable, a series of staccato barks. Some people, not many, brought their kids who seemed bored. Others, like us, were in their sixties and older; many of these men wore hats or other indicators of their status as veterans of earlier wars and eras. Mostly, there was silence, which did not seem so much reverent or contemplative as baffled: What the hell?

Trinity Site. Photo credit: Kay Whitlock

Whatever anyone was looking for, I doubt that they found it.

All this is to say: Trinity Site is a monument of erasure. A memorial offering only the assertion that something awesome took place here, and that Americans did it. And by “erasure,” I don’t mean what many people consider the emptiness of a desert landscape. I grew up on a shortgrass prairie. It has always been the arroyos, the deserts, the tablelands and plateaus, the spare places where movement always seems to happen only at the corner of vision that most stir my soul.

No, this void is intentional. Crafted entirely by humans, it is something akin to a hidden entombment. Buried somewhere deep beneath the assertion of magnificent accomplishment is something no one is supposed to notice.

Part III: Sacrifice

But Mr. F was wrong yesterday when he said that this country is so old it did not matter what we Anglos do here. What we do anywhere matters, but especially here. It matters very much. Mesas and mountains, rivers and trees, winds and rain are as sensitive to the actions and thoughts of humans as we are to their forces. They take into themselves what we give off, and give it out again.
—Edith Warner, journal entry, June 24, 1933, In the Shadow of Los Alamos

 

At an unmarked place along the roadside on the way to Los Alamos, at the edge of lands belonging to the San Ildefonso Pueblo, stand the remains of a small adobe tearoom/café run by Edith Warner and her friend and companion Tilano, a pueblo elder. Once open to the public, the government permitted the teahouse to remain open during the intense Manhattan Project years solely for the purpose of providing refreshments and brief respite to Robert Oppenheimer, the theoretical physicist who led the A-bomb development effort, Niels Bohr, and other atomic scientists and their wives.

One overcast and rain-swept morning, my partner and I drove to Los Alamos. On our way,

following the careful directions provided by a friend, and without encroaching upon San Ildefonso lands, we stopped near a small turnout and walked back to look at the remnants of small buildings where Warner lived and worked. Peggy Pond Church, who knew Warner and Tilano, notes that the lives of tearoom visitors were all heavily-surveilled, filled with tension, and circumscribed by stringent restrictions and security measures. Accordingly, she writes, “there were many people at Los Alamos who felt that only their evenings at Edith Warner’s kept them human.”

Warner’s story deserves to be encountered on its own terms, especially in her own writings and journals, most of which were published after her death. Although she did not know any details until after the Trinity test, she almost certainly sensed and feared a terrible weapon in the

Without Wonder, Justice is Not Possible

By Betty “Crawford” Cupcake

We know about confidence men in Backwater Bay, about the grifters, swindlers, con artists, and smooth talkers who resort to ridicule, condescension, suppression, coercion, and force – and sometimes brutality – when people repeatedly challenge their lies.

They aren’t all obvious monsters, although we’d like to think so. They often hold high, sometimes the highest, offices. They can be found in corporate suites, in pulpits and at podiums, even in some nonprofit organizations, often smiling broadly. They  know how to market fear as if it were mortal danger itself. They know how to sell ecological  death and destruction as economic wellbeing and the key to progress. They know how to present justice as unremitting punishment and policing of “danger.” They know how to avoid saying “eugenics” (the orchestrated winnowing and withering away of the “unfit”) by focusing on budget cuts. They know how to present increasing deprivation for the many as freedom and equality. And they know how to present from-the-dung-heap supremacist notions (raced, gendered, classed, ableist, and religious) and economic exploitation/violence as “common sense solutions.”

And in order to do all this, they have refined the squashing of an authentic sense of wonderment – human and ecological together, no separations – by saying it is impractical, sentimental, pie-in-the-sky, and wishful thinking. Best leave business and decisions that matter to The Practical Men, and to the women who prove themselves to be honorary Practical Men.

We’re having none of that crap. We’ve learned that without a sense of wonderment  – and the imagination it incites and the thresholds to joy that it reveals – transformative change is impossible.  In fact, this is the very matter that spurred the now-almost mythic Backwater Bay Rebellion in which we turned the tide and began moving toward health, wholeness, and a much vaster, in fact cosmic (as well as much more nuanced)  understanding of “community.”

It started with the sit-ins.

Not the kind where we just sat down and refused to leave the August Chambers of the Practical Men. We sat on them.  In massive numbers. They weren’t expecting it. We didn’t actually crush them; we simply rendered them immobile, although we provided water, treats, and good books to read. Then we changed the government. And when I say “changed,” I mean changed.

It had to be this way.  They didn’t care what we had to say, but we did. And we did because to break through the deadly flim-flam of The Practical Men, it took  wonder and imagination and a sense that we could really chart a new future if we took ourselves and each other and ecological realities seriously enough. Once we really thought about it, we realized the Practical Men were holding us in a kind of civic murder-suicide pact, and we decided to get out. In the end, all of their violence would consume them, too, but it would consume the rest of us first. Especially black, brown, Indigenous, Muslim, trans, homeless, poor, and disabled people, and everybody who exists at the crossroads and intersections of those identities. And it wouldn’t stop there.

Well, hell no. We were angry, with a kind of steely determination. All necessary.  But also, in itself, not enough. Then we realized that almost everything that felt wrong was some kind of criminalizing/punishment/extraction process, whether it involved people or ecologies and the environment or the economy. Austerity is a criminalizing dynamic. So is environmental destruction and removing species from the “endangered” list, every bit as much as using jail to handle bigger social problems. And the more we saw this, the more we realized that humankind/ecologies and biosphere/economies are not separate. We’re all part of…what? We aren’t sure, yet. But whatever it is, it’s huge.

And we do know for sure that we can and will no longer separate out human and ecological/environmental and economic health and well-being. They are all aspects of the same thing. Our fates are joined: us, the otters, and the owls and the bears and the plankton. But for better or worse?

We decided it was finally time to join them for better. In some kind of powerful way, not in a begging, pleading way. So we sat in and sat on The Practical Men and began governing in very new ways. We didn’t remake the world so much as see it, and ourselves, and the biosphere, in a new, interrelated light! We reinvigorated our own sense of joy in seeing each other and the lake and the streams and the forests and the fields thrive because nobody was under constant assault again.  We changed our relationships to one another and the earth.

Yes, there were those who said sitting on The Practical Men was not civil. We laughed. Har-dee-har-har-HAR! And then we laughed some more. In fact, we still haven’t stopped laughing.

I mean: “civility”?!!!!! Hey. We didn’t shoot The Practical Men in the back or put them in jail On Suspicion of Something/Anything. We didn’t Tase them or make them pay for electronic ankle bracelet monitoring. We didn’t wrench their children from their arms or deny health care to those who needed it. But we did remind them that the community is much bigger than they are. And we remade the government and now governance looks and works differently. It has different priorities. You’ll learn about many of those differences over time and in future discussions of some of our community accountability practices. But they are all rooted in wonder: wonder about the astonishing things that become possible in a society focused on human and ecological well-being.

Here are some of our learnings:

  • Rage is essential. But it’s not enough. And it’s not everything. We also need to find and create joy along the way.
  • Vision and imagination are also central components of creating lasting change. Don’t listen to anyone who tells you any different.
  • Soak up as much love for land, sky, air, water, flora, and fauna as you can. Never stop! We are all part of this – not separate from it. Don’t listen to those who tell you we’re superior and dominant and blah blah blah supremacist crap. Garden, on farms, in plots, in window boxes. Take walks! Admire wolverines! Send rhino poachers to game reserves with strong complements of lions! Grieve with whales and all living creatures who have experienced great loss and hold the capacity for great love.
  • It’s impossible to “prove” the extent and nature of injustice to those who don’t want to know. Educate ourselves and each other in the best ways possible, but don’t waste too much time trying to convince those who prefer to stay stuck in their iron-hard indifference.
  • Don’t be so predictable! Tried and true measures of protest and working for change have their place. But so do disruptive and wondrous ideas and actions! The women-led Montgomery Bus boycott was a wonderful and effective act of disruptive imagination. ACT UP changed the HIV/AIDS landscape much for the better, although there was a lot of mainstream hand-wringing over their tactics at first.  We don’t have to be perfect; we have to risk being powerful and, in the words of Ruth Wilson Gilmore, “Fight to win!”
  • Change the terms of debate. It won’t be easy, but it’s easier when we simply don’t accept the usual narrow, reductive framing of “issues” and insist on introducing our own ways of seeing the world. In Backwater Bay, we asserted a new understanding: “All Together Now: Just and Thriving Communities, Ecologies, and Economies.” And that framework gave us lots of creative room to move and to join struggles. You decide what works for you.
  • It never stops. We don’t get to a point where we can sit back and say, “OK, we won.” But we can change the nature of future work by going for what we really need. Nobody ever gets anything all at once. But we built toward what is needed, and toward evolving needs and changing conditions one strategic step at a time. There’s a different spirit and momentum when you know what you’re going toward and not just fighting to put out an out of control fire.
  • We know that we have to hold ourselves accountable. Some of us used to be Practical Men. There are still Practical Men here, though they no longer wield the same power they once had. Some of us once openly or tacitly supported the Practical Men. Some of us would be more comfortable just flipping who gets control rather than going for much deeper, more foundational transformation. But we don’t police each other. We hold ourselves and one another accountable and that feels like a good, not an onerous or oppressive, thing. It’s another way of fundamentally improving our relationships, individually and collectively.
  • Read Ursula K. Le Guin’s “Why Are Americans Afraid of Dragons” and Howard Zinn’s “The Optimism of Uncertainty” when you get a chance. (You can also listen to a full reading of Le Guin’s essay here, but please note that the images that accompany the reading, not chosen by Le Guin, are all white).

Civic Imagination & the Backwater Bay Holy Wars

By Bette “Cupcake” Crawford

We’ve pretty much had it with the usual arguments about “faith in the public square.”  

No matter how lofty they sound, most “faith in the public square” arguments boil down to “My faith gets to be front and center all the time and yours doesn’t.” In laws, policies, practices, signage and statuary in and around public schools and government buildings. This is supremacist thinking, thinly disguised as “courageously standing up for morality.”

We have been through it all, including battles around “separation of Church and State” and whether the Constitution even actually guarantees it. Whether it does or not, the town finally decided to support the idea. Some of that support was grudging, but after a long history of Backwater Bay conflict, most of us thought it really was for the best. 

It didn’t settle our trouble. We aren’t immune to the temptations and adrenaline surges of the politics of polarization, self-righteousness, and supremacy. We’ve fought over issues: abortion and other reproductive justice matters, environmental protection, inclusion of LGBTQ people, Black Lives Matter signs. We were at sometimes ugly odds over trans access to public bathrooms and protection of Indigenous sacred sites.

Then it got worse. We went through a horrible extended time, with various groups getting vandalized and firebombed and death threats.

No one was killed or seriously maimed, but we were lucky. There were some injuries and damage. People were shocked and hurt and distrustful. Everybody began to see themselves as being hated, though not hateful to others. But when you’re feeling attacked, siege mentality sets in. And that sometimes stokes the idea that the people who feel hated need to destroy the haters.

This wasn’t just “Us” and “Them.” It was “Us.” We were doing it to ourselves and each other. Who should be held accountable for actual and threatened violence? How?

Should we accuse, arrest, and jail each other in round-robin incarceration frenzies? But

we were already in the process of converting the old jail to a greenhouse for the public medicinal plant garden and weren’t about to turn that clock back. We could hold people accountable for harm they actually did, but what about the bigger problems?

Most of the adults in our community (including me) were too jaded and cynical at the time to be of much use. At the suggestion of Aurelia Gold, public school principal and teacher, we asked students in our K-12 schools to take a crack at coming up with fresh ideas.

The basic approach came from Aurelia’s 7th graders, but suggestions from other classes were also incorporated into plans. Then they were fleshed out in conversations with students, a local architect, and representatives from all of Backwater Bay’s religious and spiritual communities, plus the LGBTQ dance club.

Details were hammered out at many meetings, all of them featuring delicious refreshments and none of them lasting longer than 90 minutes.

Here’s what the kids said:

  • Shut up. We’re sick of it.
  • If you don’t do something differently, we’re the ones most likely to get hurt.
  • Do it without cops.
  • Instead of acting shocked when something horrible happens, make everyone responsible for having it NOT happen.
  • Do this by making it so that if something terrible happens, it happens to everybody.
  • That way, people don’t have to like each other. We just have to decide that safety is something we are always having to make happen together.

The basic idea is that “what affects one of us affects us all.” The Backwater Bay approach addresses this, literally, in a structural way.

We won’t reveal all the design secrets, but now our spiritual/faith/agnostic/atheist communities, plus the LGBTQ dance club and the local I-Ching study group have located their congregations/gatherings in one big, interconnected, architecturally diverse structure. We either go down together or flourish together. In the meantime, we all see one another more than usual, and we have to work together to share use of the common spaces.

It’s been iffy at times. On the other hand: things are changing in unexpected ways.

This is where we are. What about you? We’d love to hear.

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